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    • camera
  • (277)
facing camera, l-r: Mark Rylance (Damis), Stephanie Fayerman (Dorine), David Glover (Officer), David Bradley (Cleante), Antony Sher (Tartuffe) in TARTUFFE by Moliere at the Royal Shakespeare Company (...
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facing camera, l-r: Mark Rylance (Damis), Stephanie Fayerman (Dorine), David Glover (Officer), David Bradley (Cleante), Antony Sher (Tartuffe) in TARTUFFE by Moliere at the Royal Shakespeare Company (...
the seance - clockwise from left: Geoffrey Streatfield (Charles Condomine), Jennifer Saunders (Madame Arcati), Lisa Dillon (Ruth Condomine), Simon Coates (Dr Bradman), (back to camera) Lucy Robinson (...
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the seance - clockwise from left: Geoffrey Streatfield (Charles Condomine), Jennifer Saunders (Madame Arcati), Lisa Dillon (Ruth Condomine), Simon Coates (Dr Bradman), (back to camera) Lucy Robinson (...
l-r: Jennifer Saunders (Madame Arcati), Geoffrey Streatfield (Charles Condomine), (back to camera) Lucy Robinson (Mrs Bradman), Lisa Dillon (Ruth Condomine), Simon Coates (Dr Bradman) in BLITHE SPIRIT...
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l-r: Jennifer Saunders (Madame Arcati), Geoffrey Streatfield (Charles Condomine), (back to camera) Lucy Robinson (Mrs Bradman), Lisa Dillon (Ruth Condomine), Simon Coates (Dr Bradman) in BLITHE SPIRIT...
the seance - clockwise from left: Geoffrey Streatfield (Charles Condomine), Jennifer Saunders (Madame Arcati), Lisa Dillon (Ruth Condomine), Simon Coates (Dr Bradman), (back to camera) Lucy Robinson (...
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the seance - clockwise from left: Geoffrey Streatfield (Charles Condomine), Jennifer Saunders (Madame Arcati), Lisa Dillon (Ruth Condomine), Simon Coates (Dr Bradman), (back to camera) Lucy Robinson (...
l-r: Simon Templeman (Tybalt), Roger Allam (Mercutio - back to camera), Malcolm Ranson (fight director) and Daniel Day-Lewis (Romeo) during a fight rehearsal for ROMEO AND JULIET by Shakespeare for th...
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l-r: Simon Templeman (Tybalt), Roger Allam (Mercutio - back to camera), Malcolm Ranson (fight director) and Daniel Day-Lewis (Romeo) during a fight rehearsal for ROMEO AND JULIET by Shakespeare for th...
school workshop in 1978 <br> part of The Young Vic Education Service (YVES) programme (c) Donald Cooper/Photostage photos@photostage.co.uk ref/BW-N-230-31
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school workshop in 1978
part of The Young Vic Education Service (YVES) programme (c) Donald Cooper/Photostage photos@photostage.co.uk ref/BW-N-230-31
l-r Susan Wooldridge (Alison Porter), John Labanowski (Jimmy Porter), (back to camera) Laura Cox (Helena Charles), Christopher Ashley (Cliff Lewis) in LOOK BACK IN ANGER by John Osborne at The Young V...
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l-r Susan Wooldridge (Alison Porter), John Labanowski (Jimmy Porter), (back to camera) Laura Cox (Helena Charles), Christopher Ashley (Cliff Lewis) in LOOK BACK IN ANGER by John Osborne at The Young V...
THE GREAT CELESTIAL COW by Sue Townsend set design: Amanda Fisk costumes: Pam Tait & Amanda Fisk lighting: Geoff Mersereau choreography: Sue Lefton director: Carole Hayman <br> l-r: Lou Wakefield, Fer...
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THE GREAT CELESTIAL COW by Sue Townsend set design: Amanda Fisk costumes: Pam Tait & Amanda Fisk lighting: Geoff Mersereau choreography: Sue Lefton director: Carole Hayman
l-r: Lou Wakefield, Fer...
MORTE D'ARTHUR by Sir Thomas Malory dramatised and directed by David Freeman composer: Nigel Osborne design: David Roger lighting: Michael Calf <br> facing camera, l-r: Jacques Bourgaux (Launcelot), D...
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MORTE D'ARTHUR by Sir Thomas Malory dramatised and directed by David Freeman composer: Nigel Osborne design: David Roger lighting: Michael Calf
facing camera, l-r: Jacques Bourgaux (Launcelot), D...
THE WATSONS by Laura Wade adapted from the unfinished novel by Jane Austen design: Ben Stones lighting: Richard Howell director: Samuel West <br> back to camera: Louise Ford (Laura) 3rd left: Grace Mo...
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THE WATSONS by Laura Wade adapted from the unfinished novel by Jane Austen design: Ben Stones lighting: Richard Howell director: Samuel West
back to camera: Louise Ford (Laura) 3rd left: Grace Mo...
THE BAKER'S WIFE music & lyrics: Stephen Schwartz book: Joseph Stein set design: John Napier costumes: Andreane Neofitou lighting: David Hersey choreography: David Toguri director: Trevor Nunn <br> T...
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THE BAKER'S WIFE music & lyrics: Stephen Schwartz book: Joseph Stein set design: John Napier costumes: Andreane Neofitou lighting: David Hersey choreography: David Toguri director: Trevor Nunn
T...
THE POWER OF THE DOG by Howard Barker design: Roger Glossop lighting: Dave Horn director: Kenny Ireland <br> l-r: Peter Sproule (Churchill / Arkov / Zdhanov / Buber), Amelda Bown (Matrimova), Sean Bak...
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THE POWER OF THE DOG by Howard Barker design: Roger Glossop lighting: Dave Horn director: Kenny Ireland
l-r: Peter Sproule (Churchill / Arkov / Zdhanov / Buber), Amelda Bown (Matrimova), Sean Bak...
TRUE WEST by Sam Shepard design: Jon Bausor lighting: Joshua Carr director: Matthew Dunster <br> l-r: Johnny Flynn (Lee), Kit Harington (Austin), (back to camera) Donald Sage Mackay (Saul Kimmer) Vaud...
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TRUE WEST by Sam Shepard design: Jon Bausor lighting: Joshua Carr director: Matthew Dunster
l-r: Johnny Flynn (Lee), Kit Harington (Austin), (back to camera) Donald Sage Mackay (Saul Kimmer) Vaud...
OLD TIMES by Harold Pinter set design & lighting: John Bury  costumes: Beatrice Dawson director: Peter Hall   Dorothy Tutin with Peter Hall relaxing during a break in the televised recording of the s...
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OLD TIMES by Harold Pinter set design & lighting: John Bury costumes: Beatrice Dawson director: Peter Hall Dorothy Tutin with Peter Hall relaxing during a break in the televised recording of the s...
awaiting a Subway train to the Brooklyn Academy of Music (BAM)   visible, facing camera, l-r: David William, Juan Moreno, John Woodvine, Sharon Duce, Ronald Radd, Robert Eddison The Actors Company, N...
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awaiting a Subway train to the Brooklyn Academy of Music (BAM) visible, facing camera, l-r: David William, Juan Moreno, John Woodvine, Sharon Duce, Ronald Radd, Robert Eddison The Actors Company, N...
THE BROKEN HEART by John Ford design: Tom Piper lighting: Rick Fisher director: Michael Boyd  back to camera: Iain Glen (Orgilus) centre: Olivia Williams (Calantha) Royal Shakespeare Company (RSC), T...
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THE BROKEN HEART by John Ford design: Tom Piper lighting: Rick Fisher director: Michael Boyd back to camera: Iain Glen (Orgilus) centre: Olivia Williams (Calantha) Royal Shakespeare Company (RSC), T...
VOLPONE or The Fox by Ben Jonson  set design: John Bury  costumes: Deirdre Clancy  lighting: David Hersey  director: Peter Hall   l-r: John-Angelo Messana (Castrone), Imogen Claire (Androgyno), David...
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VOLPONE or The Fox by Ben Jonson set design: John Bury costumes: Deirdre Clancy lighting: David Hersey director: Peter Hall l-r: John-Angelo Messana (Castrone), Imogen Claire (Androgyno), David...
Gijs Scholten van Aschat (Hendrik Vogler) in AFTER THE REHEARSAL by Ingmar Bergman opening at the Barbican Theatre, Barbican Centre, London EC2 on 27/09/2017   Toneelgroep, Amsterdam  set design: Jan...
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Gijs Scholten van Aschat (Hendrik Vogler) in AFTER THE REHEARSAL by Ingmar Bergman opening at the Barbican Theatre, Barbican Centre, London EC2 on 27/09/2017 Toneelgroep, Amsterdam set design: Jan...
AFTER THE REHEARSAL by Ingmar Bergman  set design: Jan Versweyveld   costumes: An d'Huys   director: Ivo van Hove   stage,set (detail), rehearsal room, lights, video camera Toneelgroep, Amsterdam / op...
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AFTER THE REHEARSAL by Ingmar Bergman set design: Jan Versweyveld costumes: An d'Huys director: Ivo van Hove stage,set (detail), rehearsal room, lights, video camera Toneelgroep, Amsterdam / op...
Gijs Scholten van Aschat (Hendrik Vogler - operating camera) with video image of Gaite Jansen (Anna) in AFTER THE REHEARSAL by Ingmar Bergman opening at the Barbican Theatre, Barbican Centre, London E...
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Gijs Scholten van Aschat (Hendrik Vogler - operating camera) with video image of Gaite Jansen (Anna) in AFTER THE REHEARSAL by Ingmar Bergman opening at the Barbican Theatre, Barbican Centre, London E...
ANTONY AND CLEOPATRA   by Shakespeare   design: Sally Jacobs   director: Peter Brook   l-r: Alan Rickman (servant), Philip McGough (Mardian), Juliet Stevenson (Iras), (back to camera/tbc), Paola Dioni...
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ANTONY AND CLEOPATRA by Shakespeare design: Sally Jacobs director: Peter Brook l-r: Alan Rickman (servant), Philip McGough (Mardian), Juliet Stevenson (Iras), (back to camera/tbc), Paola Dioni...
l-r: Benjamin Hulett (Arbante), David Webb (Arsace)in HIPERMESTRA by Cavalli at Glyndebourne Festival Opera, East Sussex, England  20/05/2017  music: Francesco Cavalli  libretto: Giovanni Andrea Moni...
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l-r: Benjamin Hulett (Arbante), David Webb (Arsace)in HIPERMESTRA by Cavalli at Glyndebourne Festival Opera, East Sussex, England 20/05/2017 music: Francesco Cavalli libretto: Giovanni Andrea Moni...
final scene, l-r: Marieke Heebink (Charmian), Chris Nietvelt (Cleopatra - handling snake) with the body of Antony (bottom) and video camera operator in ANTONY AND CLEOPATRA opening at the Barbican The...
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final scene, l-r: Marieke Heebink (Charmian), Chris Nietvelt (Cleopatra - handling snake) with the body of Antony (bottom) and video camera operator in ANTONY AND CLEOPATRA opening at the Barbican The...
OBJECTIONS TO SEX AND VIOLENCE by Caryl Churchill design: David Short lighting: Jack Raby director: John Tydeman   l-r: Paul Seed (Eric), Stephen Moore (Phil), Anna Calder-Marshall (Annie), Rosemary M...
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OBJECTIONS TO SEX AND VIOLENCE by Caryl Churchill design: David Short lighting: Jack Raby director: John Tydeman l-r: Paul Seed (Eric), Stephen Moore (Phil), Anna Calder-Marshall (Annie), Rosemary M...